This topic is in the Member Art discussion forum.  (rss)


Test Flight


<<  1    2    3    4  >>



reply posted on 30-10-2008 @ 06:47 PM by masqua


Once I got that last painting gone to someone who DOES appreciate it (it now hangs in an astronomers home), I got busy doing some more paintings. The first is what I call a mandala. basically a circle divided into two parts. I take it to represent the duality that nature has, either outside of us or inside, much the same as the Yin/Yang symbol.



The next is, once again, a study in pareidolia. I tried, as much as I could, to not attempt in any way to be representative in creating thse random shapes. They just happened. Whatever we may see in such shapes is indicative of our own state of mind.



The last is a portrait of my astronomer friend Ski, done in a style of portraiture loosely similar to that of an acquaintance of mine from the late 60's, Greg Curnoe. My interest in his work has grown over the past few years mainly because of his love for brilliant colour. Sadly, he was killed in a traffic accident while riding his bicycle a few years ago. Who knows how prolific an artist he could have become had he survived.



[edit on 30/10/08 by masqua]



reply to this post:   copyright & usage 


reply posted on 8-11-2008 @ 09:40 AM by masqua


My most recent painting... the maze, one of the world's most ancient symbols. It is the path taken on Glastonbury Tor, encircling the hill in a twisting seven circiuts before reaching the centre at the top. We find this basic design in many places around the globe; Knossos in Crete, the Four Corners USA (Hopi), Mysore and Rajastan in India, Nazca, Peru and even in Finland.

Long considered to be a template for life itself, the path, when walked, takes us from the 'outside' at the bottom to almost at the centre, just as a teenager believes themselves to 'know it all'. As we progress, we find ourselves once again close to the outer edges, spiralling slowly via the longest path until we at last begin to close in on the middle section for the last 3 circuits.

There is relevance here to seven year cycles. Consider each seven years significant as you age and the template unfolds true to life... ages 7, 14, 21, 28, etc., should mean something to most of us(at least it does to me).

Seven circuits @ 49 years of age to reach the centre and attain enough credible wisdom in life to be mature enough to rank as a teacher to others who are on the same path.

That we once again have to travel the path outwards from the centre shows a total of 98 years... a good rounding off of a long life lived.

That we pass on what we learned to those who are still on the 'inward' journey is the duty of those who have already gained knowledge.

What really sticks in my mind on the maze is its ancient roots. There's no doubt that this symbol was one of the first ever created, since it can be found in isolated communities the world over. It was successfully carried in the migrations of people over the course of dozens of millenia.






[edit on 8/11/08 by masqua]



reply to this post:   copyright & usage 


reply posted on 28-11-2008 @ 07:30 AM by Anonymous ATS


reply to post by masqua




hey brother.... just wanted to let you know that Paul Laffoley will be in Toronto from Nov 29th - Jan 4th at the Meta Gallery!!!!!!!!!

I figured if ANYONE would care... it would be you! Hope you're keeping well T.

p



reply to this post:   copyright & usage 


reply posted on 28-11-2008 @ 08:19 AM by seagull


reply to post by masqua



What do I think? Let's see. Wow. Totally cool. Really good stuff.

Toothpick style...interesting. To me, it would be tedious beyond belief, but it obviously isn't to you. This really is fantastic stuff, Masqua.



reply to this post:   copyright & usage 


reply posted on 1-12-2008 @ 06:09 AM by masqua



Originally posted by Anonymous ATShey brother.... just wanted to let you know that Paul Laffoley will be in Toronto from Nov 29th - Jan 4th at the Meta Gallery!!!!!!!!!

I figured if ANYONE would care... it would be you! Hope you're keeping well T.

p




Doing well indeed, thanks.

Also, thank you for the 'heads-up' on Paul Lafolley..

His studio looks a lot like mine, don't you think?




reply to this post:   copyright & usage 


reply posted on 1-12-2008 @ 06:18 AM by masqua


reply to post by seagull



The toothpick method of painting is only one facet of the procedures that I have developed over the decades. Another would be mixing certain powders/lumpier material into the acrylic to create textures like stucco or bark.

There's a million different ways to make a painting unique.

Would anyone be interested in a detailed, step-by-step account of the creation of a painting? I've been kicking the idea around a bit and would be wlling to photograph each step along the way of creating a portrait, since it IS based primarely on a fixed procedure.



reply to this post:   copyright & usage 


<<  1    2    3    4  >>







Top Topics Right Now:



Active Topics Right Now:



ATS MIX Podcasts:











Newest Topics:


























ATS Server: www3.theabovenetwork.com
Powered by AboveTop:Board v2.3
Header data processed in 0.012 seconds
Page processed in 0.102 seconds
6 total database queries (1)









The Below Top Secret General Discussion Web site is a wholly owned social content community of The Above Network, LLC.





thread
Forums Directory